National Kriol Council

National Kriol Council
House of Culture Grounds
Regent Street
Belize City, Belize

ph: (501) 623-8278; 207- 0781
alt: (501) 610-2560; 629-6808

nkcbelize@yahoo.com

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Drums

 [See instructional  music below inluding Sambai and brukdong]

Some important comparisons between Kriol and Garifuna drums:

KRIOL JROM (DRUM)

The head on this antique sambai drum is strung up between rings made out of vine and holes drilled into the shell. The head is tuned with pegs that twist and tighten the rope. It appears like a Punta drum but is tuned higher and sounds completely different.

 Image Detail

 

GARIFUNA DRUM

This is a picture of the most popular drum of the Garifuna people. Note how the Punta drum has a snare across the head . Punta drums are tuned relatively flat and contain several drums of different sizes in the ensemble. This gives Garifuna rhythms its distinctive sound.

 

  

  • Jolee 1st accompaniment
    Play Jolee 1st accompanimentJolee 1st accompanimentDownload Jolee 1st accompanimentJolee 1st accompaniment

    Included is an audio CD intended to be used as a reminder when practicing the rhythms taught in the Kriol  Jromin Werkshap. The rhythms are broken down into the accompaniments and then played in full. The tracts of each rhythm played in full are long enough to play along with. Tracts 18 and 21 are live recordings from Manatee during Christmas 2008. They are good examples of the brokdong and sambai rhythms in their true form and their natural setting.

    Jolee, kuklu, kakilambeh, soli,  brokdong, sambai, and punta  = the names of  rhythms

  • Play Jolee 2nd accompanimentJolee 2nd accompanimentDownload Jolee 2nd accompanimentJolee 2nd accompaniment
  • Jolee 3rd accompaniment
    Play Jolee 3rd accompanimentJolee 3rd accompanimentDownload Jolee 3rd accompanimentJolee 3rd accompaniment
  • Play Jolee in fullJolee in fullJolee in full
  • Play Kuku 1stKuku 1stDownload Kuku 1stKuku 1st
  • Play Kuku 2ndKuku 2ndDownload Kuku 2ndKuku 2nd
  • Kuku 3rd
    Play Kuku 3rdKuku 3rdDownload Kuku 3rdKuku 3rd
  • Kuku in full
    Play Kuku in fullKuku in fullDownload Kuku in fullKuku in full
  • Play Kakilambeh 1stKakilambeh 1stDownload Kakilambeh 1stKakilambeh 1st
  • Play Kakilambeh 2ndKakilambeh 2ndDownload Kakilambeh 2ndKakilambeh 2nd
  • Kakilambeh
    Play Kakilambeh Kakilambeh Download Kakilambeh Kakilambeh
  • Play Soli 1stSoli 1stDownload Soli 1stSoli 1st
  • Play Soli 2ndSoli 2ndDownload Soli 2ndSoli 2nd
  • Play SoliSoliDownload SoliSoli
  • Play Brukdong explainedBrukdong explainedDownload Brukdong explainedBrukdong explained
  • Play Brukdong 1st acc. bassBrukdong 1st acc. bassDownload Brukdong 1st acc. bassBrukdong 1st acc. bass
  • Play Brukdong 2nd acc. lead with improvBrukdong 2nd acc. lead with improvDownload Brukdong 2nd acc. lead with improvBrukdong 2nd acc. lead with improv
  • Play Brukdong live recordingBrukdong live recordingDownload Brukdong live recordingBrukdong live recording
  • Play Sambai 1stSambai 1stDownload Sambai 1stSambai 1st
  • Play Sambai lead(cutta)Sambai lead(cutta)Download Sambai lead(cutta)Sambai lead(cutta)

Tracts:

  1. 1. Jolee 1st accompaniment
  2. Jolee 2ndacc.
  3. Jolee 3rdacc
  4. Jolee in full
  5. 5. Kuku 1st
  6. Kuku 2nd
  7. Kuku 3rd
  8. Kuku
  9. 9. Kakilambeh 1st
  10. Kakilambeh 2nd
  11. Kakilambeh
  12. 12. Soli 1st
  13. Soli 2nd
  14. Soli
  15. 15. Brokdong explained
  16. Brokdong 1stacc. bass
  17. Brokdong 2ndacc. lead with improvisation
  18. Brokdong live recording
  19. 19. Sambai 1st
  20. Sambai lead/cutta
  21. Sambai live including Aanti Kala and Koko faiya
  22. 22. Punta demonstration on Punta drum
  23. Djembe kahn (a solo improvisation by Emmeth Young)

 

About the Recording

With funding from the Social Investment Fund the National Kriol Council was able to conduct in 2010 a two month cultural entreprenural skill training project. One of the areas of training was drumming. With the assistance of Emmeth Young, the facilitator, participants were able to learn the basic history of Belizean Kriol drums and drumming styles and rhythms. Each participant received a certificate of accomplishment and an instructional CD as a guide for continuing to practice rhythms.

Copyright 2011 National Kriol Council. All rights reserved.

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National Kriol Council
House of Culture Grounds
Regent Street
Belize City, Belize

ph: (501) 623-8278; 207- 0781
alt: (501) 610-2560; 629-6808

nkcbelize@yahoo.com